I leave for choral speaking in fifteen minutes. It seems
like an appropriate time to type up another little update and post about my
life. In more general news, I have almost reached the official halfway point of
my time here. It will occur while I am partaking in my two-week school holiday
with my parents (and sister) as we travel through part of Thailand, touch our
toes in Cambodia, and move through some of the sites of Malaysia. However, I
did have a mid-year meeting with the other ETAs last week which went well, and
I just continue to press on with lessons and the regular pitfalls, drama, and
tidbits of fun and joy that come with being an ETA in Malaysia.
Alright! It’s finally time to talk about choral
speaking.
Usually, throughout the day, my little students
will pop into my room or find me in the hall to ask me if we have choral
speaking. The conversation goes something like this:
“Teacher, ada choral speaking?”
“What?” I always act like I have no idea what
they possibly said.
They pause as they think about how to translate
before saying, “Today have choral speaking?”
“Yes.”
“Four?” They hold up for fingers to
double-check that I understand.
I nod and say, “Yes, at four.” I usually hold
up four fingers, too.
“Until?”
This is my favourite part of the conversation.
Before I answer them, they try and bargain with how soon we will leave
practice.
“4:30?” They ask hopefully though they know I
will never agree to that.
“No! Students are still arriving at 4:30. We
can only finish at 4:30 if everyone comes on time.”
“Five, teacher, five.” The student will plead
holding out their hand with all five fingers.
“We’ll see,” I say with a smile. “If everyone
is good, we will finish at five. If you are naughty, 5:30.”
“Aw, teacher,” they whine slightly though
they’re half smiling.
I shoo them away knowing that I’ll see them
later.
I always leave for choral speaking at 3:50pm.
It guarantees that I will arrive with the first batch of students returning
from their homes. Some students do not have enough time to leave school at
2:40pm and make it back for practice so some of them are already wandering
around the hall. Typically, one or two of them will announce my arrival as I
pull up on my motorbike and come greet me with some piece of news. They’ll
inform me that another student isn’t coming or just complain to me that they
are tired or hungry or that someone smells because they did not have a chance
to go home and bathe. I take it all in with smiles and usher them back into the
hall where there are, at least, fans.
Malaysians are stereotyped as not being
punctual. It’s a fair stereotype. Though I would like to start practice at four
or shortly thereafter, we usually don’t start until 4:15 to 4:30 because I
simply do not have enough students to start warming up or anything else.
Sometimes this is frustrating, but I am undeniably accustomed to it at this
point. You must always be ready on time just in case a Malaysian feels like
being punctual, but one must also be patient enough for the Malaysians who
choose to show up a half hour to two hours later than expected.
Today is my choral speaking group’s last
practice before the two-week break. I’m hoping they don’t forget everything in
that time because they all have memories like goldfish. Sometimes this means
that they forget to show up for practice. Most of the time it just means that
if they do not practice every other day, they will forget the lines.
Nevertheless, I must say how proud I am of my
students already even if we haven’t won anything or competed at this point.
The very first practice I had, I remember how
much I was sweating. I stared out at a sea of little Malaysian faces that were
squirming and uncomfortable and nervous. I was nervous too. I’ve never been a
conductor or a leader or really done much in performing. I always just watch. I
don’t participate. And yet, here I was needing to be the conductor of a choral
speaking group and show them how to speak and perform and throw energy into
their voices and do motions in sync. What a daunting task. It didn’t help when
I was told my initial script was too hard and too long so I chopped it to one
page. Even then, students told me it was too long. I encouraged them that they
could learn it with time. Then, of course, I found out about the rules for the
choral speaking performance. Now my script was too short. So I added two pages.
That really thrilled the students. But bit by bit and piece by piece, we broke
it down and spoke it. Often, it is still not clear what they are saying or, now
that they know the words, it is just a race to the end, but we are getting
somewhere.
When practice starts, I assemble my students
into three groups: walrus, oyster, and carpenter. My original script was the
poem “The Walrus and the Carpenter” by Lewis Carroll. It’s changed since then,
but a walrus, oysters, and a carpenter still play roles. I just tell them that
we are going to run through the script and hold up my fist. As their conductor
(for warm-up only as there is a student conductor), I wait until their eyes are
on me enough to see the count of one…two…three…
Then they are off and reciting. Some of them
are dancing in place. Others look like corpses on their feet. Some like to
punch one another or swing their arms like airplanes and smack the students
next to them. Some still squeeze their hands together nervously. They look like
a mess for every warm-up. Standing still is impossible, but I let it happen
just as long as they will remember to do the motions as well as wiggle all
over. This is what I get for having students from the ages of twelve to
seventeen. It is a fun bunch though.
After warm-up, I do a variety of things. Each
practice, I can only really focus on one aspect at a time. Sometimes, we work
on memorization in the areas of the performance where the students are still
struggling or are still week. Sometimes, I focus on the motions and making them
synchronized and energetic. Other days, I just work on pronunciation, volume
control, and speed. Slowly, they work towards a better version of their choral
speaking selves.
There are regular breaks at choral speaking.
There are days where in an hour, my students have managed to do the entire
script twice. I would call that a bad day, and they wonder why I don’t let them
leave early. However, if I don’t give them a breather to talk and wander and
kick one another, they will not perform at all. Really, sometimes I just feel
like a wrangler of some wild animal that is semi sentient since we speak
different languages.
Nevertheless, as time has gone by, I know they
understand me better. They may not like being able to understand my
instructions when It defies their shy natures and the lazy personas they’ve
learned to adopt after so much discouragement from teachers. We carry on though
and laugh and smile and have breakthroughs in conversation as well as run into
many, many walls.
That is a summary of choral speaking in fifteen
minutes.